Showing posts with label live concert review. interpol. Show all posts
Showing posts with label live concert review. interpol. Show all posts

Sunday, 6 January 2008

Transports of delight




Ticket to Ride : Music to listen to on the Bus


I’ve just finished Friday’s paper part of my post Xmas economy drive to not buy a new one until I’ve read the last. Laura Barton’s article was good this week. I’ve never fully taken to her writing it all seems a bit lifestyletastic, she once gave the astonishing insight that Van Morrison makes ideal “Sunday morning music”.

Anyway this week she wrote about music to listen to on the bus. Seeing as I’m Mr public transport, I listen to music on bus/train all the time; in fact it’s a treat to listen out loud to stuff in a car. Occasionally you do get the perfect combination of place and tune.


Here’s a few that spring to mind.

When Portishead’s Dummy album first came out, I was on a stopped train on the bridge over the Thames, just outside Victoria. It was a grey misty day and sitting in a near empty carriage with Portshead’s noir inspired paranoia slipping out was just perfect. We all fancy being a spy from time to time don’t we?
It’s hard to remember how new and strange they seemed at the time.

"Subway she is a porno"

On a similar note when Interpol first lp appeared I had to regularly change lines at Canary Wharf and I had a startling moment travelling up the vast escalator, the ‘pols never bettered NYC (New York Kiss) swirling around it was dare I say a “cathedral of sound”!

My latest was when I was up in Barnsley; I was on the bus bumping along on one of South Yorkshire’s spectacularly bad roads. The top deck was deserted except for a young lad opposite, he had a biblical shiner and had his face resting on the condensation frosted window, he was close to tears so I tried not to look. Just then Fake Empire by the National came on and for three and half minutes I was taken away; past “town’s” last pit, past curiously grand war memorials, tiny stand alone chippies, grim looking estate pubs, corner shops that are now Sainsbury locals, the insistent drumming and swelling guitars quite moving and then the bit when the chattering jittery trumpets come in, just perfect; it never seems long enough.

I took my phones out when it finished, almost as if to catch my breath. Just then two girls got on and stomped up the stairs, laughing. The first was spotty and puppyish, her friend however was so strikingly beautiful I was taken aback, they where both laughing in the way teenage girls do, slightly harder/longer than is entirely necessary. Of course the karmic balance of the universe was instantly returned as they pulled opened the window and all over the world Dockers and old Etonians blushed and covered their ears, as a stream of cursing of the foulest kind sprung forth. The target of their abuse a grinning youth left sitting on the wall next to the bus stop. They then abruptly took their seats and proceeded to get their phones out.


One thing you can say for public transport, you rarely have such intriguing involving 5 mins sat in a ford focus.


Anyone else have any good ones?

I am always slightly stifled in my public transport music reveries, by being reminded of an early Charlie Brooker Nathan Barley piece in which Nathan fantasises on the tube escalator whilst listening to his walkman. Barley imagines machine gunning half the tube whilst being fellated by a hot TV presenter, all to the tune of some hip hop. A necessary correction to the whole soundtrack to our lives thing I think.

Ps the photo at the top is negative shot I took with my phone, I'm taken with the effect.

Sunday, 2 December 2007

Interpool

Interpol
Empress Ballroom
Blackpool
28th Dec 2007



I recently raved about being able to go to BSP gig at the end of my street well this being the strange modern world I went last Wednesday all the way to Blackpool to see another (4 in a month get me !).

“the subway is a porno pavements they are a mess”

After an atmospheric drive over the tops, in a winter gale, me and S rolled up in a wet and empty Blackpool. As we walk to the Wintergardens (sadly we will miss Chubby Brown) we are joined by a growing knot of similarly grizzled looking big coated fellow fans.
I’ll talk about ‘pool’s bleakness later but the place tonight seems shut, even the Christmas lights aren’t fully working.
We search for a pub but are thwarted so after meeting R and A, we go inside. Inside the Ballrooms, we find a marvellous timber clad “galleon themed bar” (no time sadly to check out the “baronial renaissance room”) have a drink and catch up!

Heading inside the hall we sadly only catch the last bars of “Blond Redhead”. While the stage is reset we admire the ballroom’s ornate plaster roof and chandlers, its striking big old barn.


"Put on the big light “
Soon Interpol amble on, if you’ve never heard them, the easiest comparison is to Joy Division. They play stark bass driven portentous tunes, if
anything more abstract lyrically than JD. Tonight they play a mix of mainly their first and third album. Having warmed up (it is late November) it’s clear that in 2-3 yeas since I last saw them they have learned to be a bit more animated live, they will never give Bruce a run for his money, but Carlos D ( the strangely bearded and cardiganed) bass player does at least face the crowd now a days! Lead guitarist Daniel Kessler is particularly animated and evens cheerily thanks the crowd at end, although being booted and suited he does have the air of a victorious snooker player.

Thankfully the music bridges the gap with the audience and between songs, footie style chants break out. Apart from a bit of a dodgy “prog” moment in the middle, tonight is a great gig. (Even if the didn’t play NYC)!

Highlight: Song title of the year “No I in Threesome”
Lowlight: No where to get a pre-gig drink.

Its official I am a poetry groupie:
On the way out, who should be 5 ft in front of us but Simon Armitage. Sadly I didn’t get close enough to congratulate him on his new book. Although I probably wouldn’t have known what to say (not being a poet!)

Blackpool, Blackpool …
Now I love a run down seaside town out of season, but Blackpool has gone past the stage of some flaky paint and a bit of cracked Formica, it just seems defeated.
Look at the town’s logo. not building a “greener”, “brighter” or just “better” future just “a future” as any it seems will do. Now I’m not particularly in favour of casinos, they just seem to be a way of parting poor peoples from their money, but the decision to award the NW franchise to Manchester seems perverse.

That being the case here’s an alternative way forward, why doesn’t Blackpool play to it’s strengths, look at tonight hundreds of rock fans travel from all over the north (and further a field) but when we got there no one wanted to take any money off us. Why weren’t more food places open, why not open some normal pubs/bars (not grim garish drinking sheds awash with Alco pops, thongs and happy hours). Why doesn’t it go for an “all tomorrow parties” style festivals (I was going to initially suggest a Moz themed “everyday is like Sunday fest” but it seems that might attract too many Daily Mail readers and the BNP hang on maybe Stephen Patrick could do a set with Chubby Brown?) There’s plenty of venues (the staff at the Wintergardens were really efficient and friendly) and loads of empty hotels rooms. Oh and they could make a start and replace the odd light bulb.

Interpol are
Paul Banks - vocals, guitar
Carlos Dengler - bass, keyboards
Samuel Fogarino - drums
Daniel Kessler - guitar